April 7, 2025
An excerpt from Deviant Matter: Ferment, Intoxicants, Jelly, Rot Deviant Matter delves into a vast archive that includes nineteenth-century medical and scientific writing; newspaper comic strips and early film; the Food… READ MORE
The oldest known records of slavery come from Mesopotamia some five thousand years ago. Then Egypt. Then China. Then the Bible of course, and then Greece and Rome. They continue… READ MORE
March 31, 2025
In a time of deeply frightening political uncertainty for the trans community, these books by 蜜桃传媒 authors strive to empower, educate, and inspire anyone looking to learn more about… READ MORE
March 25, 2025
An interview with Aja Y. Martinez and Robert O. Smith, authors of The Origins of Critical Race Theory Who are the key players in the creation of critical race theory? The… READ MORE
March 24, 2025
Are you looking for new ways to engage your students? Feminist Keywords is the podcast companion to the 2021 book, Keywords for Gender and Sexuality Studies. The show introduces critical… READ MORE
March 21, 2025
Kayla An is a Design Intern at 蜜桃传媒 and a student at NYU studying Interactive Media Arts and web programming.
March 18, 2025
Why has suspension become a commonly used form of punishment? This is a central question I answer in my new book. What I found is that suspension first became common… READ MORE
March 17, 2025
The early inclusion of St. Patrick鈥檚 Day in the calendar of official American holidays and the development of profit streams built around its celebration sped the adoption of symbols like… READ MORE
March 13, 2025
At this point, most people probably know someone 鈥� maybe a coworker, a friend, a classmate, a partner 鈥� who is obsessed with CrossFit. So, is CrossFit a cult, a community, or… READ MORE
March 12, 2025
At the fifth-year anniversary of the onset of the COVID-19 pandemic in the United States, hope for 鈥渓essons learned鈥� seems more remote than ever. Robert F. Kennedy, Jr., a noted… READ MORE
What is the Future of Television? by Amanda D. Lotz, author of After Mass Media: Storytelling for Microaudiences in the Twenty-first Century